23 April 2011

Robe de Style: the other 1920s dress

I finally cut out my blue dress!
Was supposed to wear it tomorrow (Easter, to go with my 'Queen Mum' vintage hat from Macy's), but that clearly isn't happening.

It took me five hours to cut it out (making the muslin, fitting, taking apart, re-fitting, finally cutting the silk and the embroidered net.) Somebody - I think it was on Your Wardrobe Unlock'd - said that it's all in the cutting - the make or break of a garment - and I agree. NOBODY is  like a pattern except the dressmakers' dummies, and the fitting muslin often looks pretty weird. All I can say is, Thank God for the sloper I made, and for Jeanne, my modèle de modiste; those two together make the world of difference... oh and the cutting table, of course. If I had to crawl around o n the floor doing this, or have everything half hanging off the dining table I'd give up. I LIKE handsewing and sitting like a tailor in the window - shades of a pastlife in London? - I like cutting and fitting, I could do it all day and never tire, but  the physical comfort of the job means a lot.

My version is very modest, with a scoop neck and short sleeves. Mme. Lanvin used to make them up for all ages of women and the older the woman the higher the neckline and longer the sleeves. But it's abundant with embroidered net - the genesis of the project - antique buttons, ribbon flowers, and charm. The main fabric is from a bolt of turquoise tussah silk I got for an 18th Century gown and never made, because the gig was canceled, I have now used it for two dresses, and have enough leftover for a combing jacket, if not a dressing gown. The original late 18th Century gown was supposed to be a robe a la Francaise for maternity, which is why the enormous amount of fabric.

I have decided that Americans do not have waists because I have to not only take off a bunch at the sides, but make EVERYTHING a cuirass waist (like in the bustle period and 50s, where 'straight' lines - centre front etc. - are actually curved to fit the body. The patterns also have WAY too much ease. This is an old Laura Ashley pattern - it was the nearest shape - and it was originally cut for a size 6; it is still cut for a size 6 - 23 years later, but with 1/2" rather than 5/8" seams, even though I've got a good ten pounds on those days. AND I still had to curve the front side seams! As I recall, it was pretty loose from the underbust to the high hip, but it was for a day dress, so I didn't care. This dress, I care. I'm making it to fasten at the left side, as was correct, rather than zip up the back as the pattern calls for. I could have it zip up the side, but I don't want to. Hooks.

All the foufy bits - the embroidered net et al - is what makes it and it would be easy to go overboard - I had to reign myself in from expanding on my original design. I hope this will be worthy of Mme. Lanvin.

Will post photos as I go along. Did not post of the fiddly fitting and cutting because you all know about that.

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